• Decrease font size
  • Reset font size to default
  • Increase font size
Home
European Music Center (tm) PragueCulturalCenter.com PrazskeKulturniCentrum.org EuropeanMusicCenter.com SmeckyCenter.org KulturniCentrumPraha.com CultureCentrePrague.org PragueCultureCentre.org PragueCulturalCentre.org PragueCulturalCentre.com ...
TM

Cultural Landmark Management Ltd.

Director's Corporate Policy + Mission Statement:

Program Goals and Objectives, concerning the 'long forgotten' and "Lost 1903 Prague Cultural Center" ...

< The European Music Centre™ / The Prague Music Centre

The European Music Center / The Prague Music Center>

Concerning the European Music Centre/ Prague Music Centre™ property and facility, its centre-city, historically sensitive, private sector renewal, re-development and future operations, in the public interest:

  1. We are honored to have the opportunity to have found and to have the distinct privilege to purchase and 'rescue' this important -but long forgotten- historic cultural facility in the centre of Prague - after searching for it for many, many years, having known of its existence for 47+ years, and having faced the obvious responsibility to be absolutely certain, historically, that this particular, and obviously long forgotten property, is, indeed, what we were searching to find.
  2. We are especially grateful to the dedicated, career-professional experts at The Czech Ministry of Culture and The Czech Institute of National Monuments, as well as to interested colleagues in City of Prague government, and notably, also, to renowned expert local Czech architects for assisting us in confirming and helping us to expand upon our own private research. Without their interest, and without their patient and continually 'supportive' professional knowledge, expert opinions, and notably for their 'research tips' and suggestions on proper and 'Best Practices' restoration approaches to 'saving' this largely Czech Art Nouveau facility [and although originally privately constructed], this philanthropic restoration for the surrounding community would not be possible, at all.
  3. In our recognition of the obligations we must embrace which are are connected with saving, conserving, restoring and appropriately renewing this 'lost' and what was historically the only centre-city Prague Cultural Centre™, (the only such facility ever built near to Wenceslas Square), and notably after some 7 decades of its being 'closed down and forgotten' [basically from the time of the Nazi takeover of Czechoslovakia at the start of World War II], we openly acknowledge and accept the responsibility for faithfully restoring and administering what is, ultimately a special and continuing 21st Century 'community responsibility' that, frankly, 'needs to be done' "in the public interest."  It is sine qua non that such philanthropic and very 'public' grand projects such as this Prague Cultural Centre  - Prague Music Centre™ 'renewal and re-discovery,' are vastly different from normal 'commercial activities,' and the commensurate and, hence, required continuing standards of 'Best Practices' performance are obviously dramatically higher, in every respect.
  4. For us and our international expert team, it is clear that the results of this historic restoration and renewal must be both of -Best Practices- "museum quality" and "community oriented" - it being clearly 'in the public interest,' even though the facility was always private from the time of its construction and opening well over 100 years ago (it was started in 1900, and opened in 1903). The facility will continue to be private, and will be held and tastefully modernized in a classic "managed trust" type historic reconstruction and operations status as a "mixed use," -self financing-, and 'publicly accessible' cultural facility - essentially as it was from 1903 to World War II, when the Nazi occupation authorities forced it to be 'permanently closed.' The property was ultimately confiscated by the state, during socialism, and was partially used for other purposes -including the production of film and television music, and otherwise remained largely 'closed and forgotten.' In its then new role, it had been assigned to a "state company." Later, it was provisionally privatized in the 1990s, with title being transferred at that time to that same former state company's -also privatized- successor, that held it for the latter part of the 20th Century. We are acquiring it from that successor company for the purposes of renewing and reopening what, experts agree, was the one and only cultural center ever built around Wenceslas Square, in its renewed role as the obvious Prague Cultural Centre™, or Prague Music Centre™ notably given the fact that no such other facility exists, nor has ever been constructed in the past 110 years. Hence, the once happy history, but often sad history, of the cultural centre 'speaks for itself.'
  5. We also recognize that we must also seriously invest -over many years- in repairing and restoring what experts have confirmed to have been inappropriate -unauthorized- and probably illegal modifications and damage to this historic Art Nouveau and Classicism facility: often significant and obviously 'very wrong' changes that were done by the former 'state company' that had responsibility for the property during socialism and communism - after World War II: restoring it carefully, so as to bring it back to as much of its former architectural and 'Prague Art Nouveau' decorative elegance as possible. These unfortunate damages must be repaired, and they will be repaired. Although these 'mindless' damages were so typical of the period of socialism, we now embark upon what will be a long and continuing historical research and restoration investment responsibility that we will have in the facility, so as to rediscover and restore otherwise 'lost' or hidden aspects of this wonderful and representative period piece of privately financed and modest, yet functional, Czech Art Nouveau and Classicism architecture, which were so badly damaged during the decades and abuses of socialism.
  6. We believe firmly that some philanthropic projects, such as this one, and which must be done "in the public interest," are most appropriately done slowly and carefully by the private sector -in patient consultation with the finest experts in government, in respected Non-Governmental Organizations (NGOs) and among renowned experts in the private sector, of course.
  7. We believe strongly that such philanthropic projects must ultimately finance themselves, over the long run, and that the -Best Practices- 'standards of quality' that must be achieved in the results of the historic reconstruction related to such 'grand projects,' must be the same as if they were done by the public sector.
  8. Finally, in closing, we particularly wish to remember our also 'long lost' older friend and mentor, the visionary reformer Alexandre Dubček, (November 27, 1921 - November 7, 1992) who told me precisely where to find this 'lost Prague cultural center' in the spring of 1990, after the "Velvet Revolution" - which followed the "Prague Spring" of 1968 that he had courageously initiated and led against the brutality of Soviet oppression in Czechoslovakia. Both in Washington together with Rita Klimova (also, sadly, 'gone') then Ambassador to the US, and later during the first official mission of the then new TU-154M presidential aircraft (as Rita had said - "originally ordered by the communists, but delivered 'late' and never flown" before the Velvet Revolution), when Vaclav Havel was 1st President of the Czech and Slovak Federative Republic (ČSFR), we discussed this 'lost Prague cultural center project.'  In flying 'back' from Andrews Air Force Base, Washington, D.C. - high over the Atlantic Ocean en route to Bratislava and then Prague, overnight and the next day in brilliant, sunny weather, we concluded that afternoon, that obviously, it was not possible to buy the property at that time, and we were not yet 100% certain that this was, indeed, the property we were seeking to find. Almost apologetically, he added, on that 2nd leg of the flight - back from Bratislava, when the plane was basically empty and we were alone to talk quietly, at length, "Of course, I did not grow up in Prague; I'm Slovak."  None the less, a few days later, during lunch, I briefly excused myself from the President's Office in the 'Castle' (Kancelar presidenta republiky, KPR) and I followed his perfect and very graphic directions, finding the forgotten Prague cultural center, literally instantly. Upon entering the musty and partially disused building, in the dim light of a single bare bulb high in the rotunda, I explored further, finding the Art Nouveau grand staircase, and from the half open garden doors leading outside, the former 'music restaurant +kavarna +private, restaurant garden' with trees and ivy, and looked up at the covered windows of the Great Hall - once a busy dance hall. Then I knew that this was "it" from big photos I had seen, decades before, in a book on European modern architecture published in the 1930's, that my grandmother had had in New York, and had bought when it was "new," and her own family summer holiday photos from Prague in the 1920s. Back in the President's Office in Prague Castle, later, this tidbit of 'news' brought out Dubček's famous and rare, fleeting broad smile of real happiness, and the prescient comment "That's wonderful, but it's not for us, today." - as we were all preoccupied with how to get things stabilized politically, against the communists, for the 1st free elections in Czechoslovakia in decades and following the Velvet Revolution - and we all struggled to discover how to somehow prevent the communists from stealing the election by their predictable attempt to stuff the ballot boxes.  Also being faced were a multitude of other real, though lesser, but important problems, like having no more fax paper in KPR (when everyone was grateful that "the phones still work" in the President's Office) 'in the times before email+Internet,' as tough ethical and policy problems had to be discussed and solved regarding external -nationwide shortages- of things like newsprint for national newspapers, which were also thorny problems - i.e., 'which publications should have the paper,' or were there any proper and ethical restrictions in a political environment that frankly only appeared to be really free - from the outside Czechoslovakia, yet where freedom 'hung on' only by fine threads, so to speak?  Remembering today, in 2009, his guidance on the flight (and later encouragement) to carry on with rescuing the lost cultural center "somehow, someday," he said, as a long term project to do "after things will be fixed" in Czechoslovakia, he presciently added that "It will take a long time to get it, and it won't be easy," as we were approaching Prague, that sunny spring afternoon.  You could feel in his voice and words that he truly planned to help make it happen and he certainly planned to be 'there' at the re-opening of a cultural center he knew had existed long ago - even though he had been too young and too far away to have actually been there before World War II:  a once popular downtown Prague cultural center that had so successfully showcased music, the arts, science, philosophy and the letters in a humble way, for all Czechs and Slovaks, until the tyranny of the Nazi regime forced it to be closed, now some 70 years ago.  Therefore, sadly, we note that one older friend, guide, mentor, personal sponsor and enthusiastic quiet supporter - the kind of fun and fascinating expert older person you never had enough time with, but who was like a favorite professor - who trusted and helped you, who vouched for you, personally, and was always fun to talk with, and with whom you would have always loved to take 'more' seminar classes on 'ethics and fairness in government' - or something similar, so to speak, but never had the chance to do so, Alexandre Dubček will unfortunately not be at the re-opening of the 'lost Prague Cultural Center.'   So, nearly two decades later, it is fitting and proper to remember - and say quietly - "Thanks Saša" ...appreciating the uncommon and deep personal privilege, truly understood only many, many years later, to have been invited to 'think' -that way-, and the quiet honor to have been able to say it that way.  What a great pity that 'he will not be there...'
November 7, 2009

The late, Honorable Alexandre Dubček

...during the "Prague Spring," of 1968


 

The Prague Cultural Center's history renews a charming and romantic tradition of over 107+ years of Exciting LIVE Music, Film & Dance in Prague.

Nestled in the heart of the theatre district and the very centre of beautiful Prague, it is being prepared for conservation, preservation and reconstruction and it is located in an historic Art Nouveau + 'classicism' building, right in the heart of Prague. Our new Prague Cultural Center brings back to life a 'tradition' in live music, film-music productions, and dance that extends back to the very earliest beginnings of the 20th Century. It was, without question, a difficult time for most people, but one which also inspired some of the world's greatest artists, writers, poets, and of course, composers and musicians, and newly successful business people, too.

In truth, the history of our beautiful building complex is all about its continuous use for culture and music for now over 107 Years(!), since its original dedication in 1903, and especially for Live Music, and then (later) for Film and Television Music, since 1943.

Long forgotten in the contemporary minds of today's Pragers and our visitors, at the start of the 21st Century, our beautiful facility is really composed of 5 interconnected buildings, 'pieces,' wings or sections.

All of this is focused around a spectacular and 'also long forgotten' garden now with huge, mature trees- and it is historically considered the original and realistically only 'Prague cultural center' that has ever existed or been built in the downtown/centre city since the beginning of the 20th Century - and now, that is nearly 110 years ago! (It includes an extremely rare (Centre City) early-19th Century 'Prague Garden House,' which is largely preserved [still, with its own garden], and which is maybe one of the last of its kind! It and its/'our' garden were clearly identified on the important and historic 'King's Map of Prague,' in the 1840s.)

  • Interestingly, our historic and quietly elegant Ceremonial Rotunda, and the former music garden restaurant/'kavarna' and garden house, have the only access to this wonderful, forgotten and hidden garden (which clearly 'belonged' to the early 19th century Prague Garden House) - and all of this is literally a few steps from "The Horse" and its rider, the historic patron saint of the Czech Lands, Saint Wenceslas, at the top of Prague's beautiful and famous Wenceslas Square.
  • Retired 'Pragers,' in their 70's+ have told us that, when they were small children, before World War II, our garden music restaurant and 'kavarna' were so popular, that there were lines of people waiting for a garden table - to hear the music, have a beverage+snack and enjoy the afternoon, and that the patient lines of Pragers and visitors who were waiting for a table, stretched as far as to the street, down through our Rotunda - and under the dramatic 1903 Skylight, on nice summer days! It must have been lovely! ...and... It will be, again ...for you!
  • Perhaps surprisingly for us is the sheer scope of a community cultural facility that was planned in hand drawn and colored designs made in 1900. Happily for us, the original hand-drawn designs were personally signed and stamped by the famous Prague architect, Alfons Wertmuller as his personal designs (and were presumably drawn by him, as well as certain clearly 'minor' sections of the buildings which were drawn and signed also by members of his supporting local staff). In his plan for this 'new' Prague cultural center, Wertmuller had envisioned a successful and really large centre-city facility (even by today's standards) with live music, dancing and other recreational activities, including billiards - which were very popular in the new 'hot' Prague kavarnas / coffee houses of the period around 1900. They planned for a 100% privately financed and self financing, 'community cultural center' - and ultimately it was self sufficient and very successful until World War II, when the Nazis demanded that it be closed down as a 'security risk' to their largely unpopular regime in 'occupied' Czechoslovakia, under the so-called German 'protectorate.' 
  • Back in 1900, it is thought that Wertmüller, himself, by then 'partially retired,' had paid for a lot of construction and decorations of the cultural facility, himself, and it is especially noteworthy that he was both "architect and builder" - a exceedingly -rare- combination in those times, over a century ago. Included were a large Music Garden Restaurant and 'Music Kavarna,'  and a separate and -featured- 'Beer and Wine Bar'  at the street entrance. Amusingly, perhaps, they were 'fully prepared' for hot Prague summer days and lots of guests, as we would joke today, with 2 Big Ice Cellars, 2 Big Beer Cellars and a dedicated Wine Cellar for true connoisseurs! (...and all of this, in the 'old days,' and well over 1/2 a century before any restaurants had ice machines, obviously!) Much earlier in his career in 1888 - and before he had built 30 theatres around Central and Eastern Europe, Wurtmuller had been the supervising architect and chief construction engineer who built the famous Prague State Opera House, (former 'New German Theatre"), when he had worked with the achitectural firm of Fellner and Helmer of Viennna, and had built it in only 18 months - when heavy construction was still done largely by hand! Even decades later, during construction of our cultural center in 1900-1903, such heavy construction work was still largely 'hand work;' and it was usually done with construction workers' own shovels, hand trowels, and old tools, with their own brushes and spatulas, and with very tired hands, of course...

...So, 'WHY' was this early cultural center built in Prague?

Interestingly, it was our facility that was the unique, and purpose-built cultural center for the emerging 'new middle class' of local people who worked in shops, businesses and small family companies, then starting to grow in number at the turn of the 20th Century in Prague. In contrast, another so called 'cultural center,' -a misnomer, by today's standards- was really a pair of buildings reconstructed in the 1870's as the German Casino and German House. Rapidly, it a 'lightning rod' for protests against the historic Viennese occupation of the Czech lands, for many, it was a constant symbol of the Austrian Empire's occupation and control over the Czech cultural heritage and life, in general - as well as a reminder that the Austrians and Germans controlled most of the profitable businesses - much to the frustration and annoyance of the native Czechs, who themselves started a simmering protest movement against the Austrian occupation. Certainly, today, in the early 21st Century, we would not consider what was a private casino for rich Austrian and German businessmen as general cultural facility for 'typical' people. Truly, at the start of the 20th Century, the 'German Casino' was not politically popular and was at the center of a political movement to re-create a Czech cultural heritage facility in the Czech lands.

Hence it is all-the-more interesting that an Austrian group of what, in our time, we would call more 'civic minded' businessmen - in cooperation with a Prague (German-Czech) architect friend of theirs (who had spent much of his professional career working with some of them), would plan and build a classy facility for average, working class Pragers, directly next to Wenceslas Square - and hence, in one of the most prestigious locations in the country.

As most people know, Prague is famous for music. MOZART KNEW, too, about the fantastic musicians here in Prague! "Why do you think Mozart moved to Prague to work?" Yes, he came to compose his music and do concerts in Prague! At the beginning of the 20th Century, those local and regional businessmen agreed that there was a new public interest in dancing halls, and that building really opulent dance halls could be a good business case. Certainly there was never a shortage of wonderful musicians in Prague! Their analysis was being made years before cinemas became a viable business case, and people in the capital city of Prague wanted somewhere to go with their 'nearest and dearest" for a fun time. [The famous Paramount film studios, the 1st great studios, were not even launched in Hollywood until 1907.]

Some 49 years ago, it was decided to work to get the long forgotten and very European music center building ("someday"), which had been confiscated by the Nazis at the start of World War II, and reconstruct it and reopen it to the public as a truly European Music Center. The wait has been very long, and finally, almost 21 years after the 1989 Velvet Revolution which finally brought freedom to the former Czechoslovakia, the beautiful cultural and music center building was finally privatized in a final decision by the Czech court system. After numerous years of preparatory negotiations to buy it from the former state company which applied and finally has received it in 'restitution' (although it was only 'assigned to them' to use during Nazi occupation and later during socialism), the property is now being purchased to become the long planned European Music Center < EuropeanMusicCenter.com >   It is anticipated to start its reopening process in the spring and summer of 2011, although the famous music recording studio for film and more recently for TV, CDs, DVDs etc., has been in continuous operation since 1943.

By 1900, Prague was vibrant, rich and growing as an economy; and had a significant number people in a growing, independent and relatively educated middle class 'now' had money to spend on free time activities. Small businesses were growing in number, rapidly, particularly small, family owned and operated ' atelier' type businesses started adn run by friends. This was their target market of potential customers for leisure time activities. Does this sound like a 'familiar business case' from another century, long ago?

Our cultural center was built as a contemporary and Luxurious Dance Hall, with all the modern decorations of the height of the Art Nouveau era of the beginning of the 20th Century. An eclectic piece of Art Nouveau and Classicism, our center was functional, successful, popular - hence "fun," and financially self-supporting - until it was closed down by the Nazis at the start of World War II. At the time of its construction, there was also a 'building boom' going on in the capital of high class buildings in the new style. Prague was rich and getting richer, at the turn of the 20th Century and over a decade before The Great War of 1914-1918.

...Were these 'cultural houses' basically the same, or were they unique?

They were very different from one another and reflected the two competing architectural and artistic thematic styles of the time. They were built on opposite sides of what was planned as a T-shaped city core of two wide streets (today, largely a wide pedestrian zone, still in the T form). It is about a 10 minute walk from one to the other.

Our Prague Cultural Center in its original form was truly elegant, more western, more Germanic, and had a magnificent Ceremonial Rotunda, with gorgeous modern' Czech chandeliers. There were luxurious red carpets everywhere and brass carpet rails along the magnificent 'Grand Staircase' 'to keep the carpets nice,' and a full balcony (the width of the building) looking over the entire dance hall and other dancers, for lovers with tired feet, etcetera. Tremendous mirrors were everywhere!

  • Personally Designed + Built by the renowned (German Czech) Prague architect, Alfons Wertmuller, it was, perhaps, the 'signature piece' (1900-1903) of his own illustrious career during which he designed 30 other theatres that were built throughout the Czech lands. Much earlier, in 1888, Wurtmuller had been one of the 4 great architects who had built the famous Prague State Opera House, (former 'New GermanTheatre").

 

Our Ceremonial Rotunda, our magnificent staircases with their distinctive and elegant decorative railings, other gorgeous decorations, and many other lovely things are still here, and will be conserved and lovingly restored for your enjoyment, of course!

Both cultural centers had their own 'high class' cafe-restaurants to cater to lovers(!), and 'their' obvious need to have some 'private time,' sitting down and something nice to eat or drink together! This was a rather new, but well loved Prague 'tradition' emerging at the time, and it was considered a necessary 'must-have' for an elegant dance hall designed to get the creme de la creme of Praggers and international visitors in 1903!

...Where were they built?

Our Prague Cultural Center complex was built just off of Wenceslas Square, and just a few steps away, in fact.

The other cultural center, once known as The German Casino and German House,  was built on the present day pedestrian zone, almost at the end of its street, and steps from where is now Municipal House, built five years after our cultural center building complex was inaugurated. The other cultural center has changed a lot, in recent years, having been reconstructed into a high-end mini shopping center with a cinema, nice restaurants and office spaces. Today, it's former garden is mostly functional concrete, has a summer cafe-bar and provides access to shops & offices in surrounding buildings.

...Who would build them at the start of the 20th Century?

Interestingly, both cultural centers were apparently privately built, without state or city money. When you will see The Prague Cultural Center after our conservation and reconstruction work, you will be able to imagine how wonderful this was at the time (some 5 years before the magnificent Municipal House was built with City of Prague public money). In parallel, you will be able to imagine that it cost tremendous money at the time to build the core design elements of our beautiful building complex- and all with private money, too! It was a huge financial risk, but a carefully calculated business risk at the turn of the 20th Century in Prague.

...What is our cultural centre used for now?

The largest space in our building complex is being used continuously for over 62 years as an International Film Music Recording Studio, itself known as the famous Smecky Studio. The music for many of your favorite blockbuster films is recorded here. Great HOLLYWOOD film studios like SONY, Paramount, 20th Century Fox, Lucasfilm and many many others, as well as wonderful romantic BOLLYWOOD films, too, and also many French, UK and Chinese film production companies all record here for the films you love! We also do CDs and DVDs by the biggest labels in the classical and jazz music worlds, and we record the spectacular video game music many of you love for the biggest names in Video Games and for all the major producers of game consoles in the world.

...'When Can I See It,' you will ask?

While we are only just beginning, we will be re-opening the building in phases, so 'YES,' we will be doing Free Historic Tours of the property, as staff time permits.

...'Do you have any old photos of our center or old Wenceslas Square and its neighborhood, or of Slovanske dum?

Maybe it is just an old coffee house photo, and 'maybe from Prague or Vienna,' but you just don't know where it is from.

Can you scan them and email them to us please for our Prague Film Music Museum?

We are building documentation for our reconstruction and the museum, and we would love your help, please. Many Thanks!

 

IMAGINE...

VISITING + FREE TOURS of the 'home' and Recording Studios of a world famous and literally huge philharmonic orchestra recording the film music you love, for wonderful new films & CDs you will love to see, hear and own, almost every day, all year! Recording the music you love for Hollywood, Bollywood and the finest Asian Films, CDs, DVDs and TV series

IMAGINE...

WATCHING this famous philharmonic play and record often spectacular music on really massive BIG SCREEN TELEVISIONS (Ha, ha; yes, sometimes the music is still 'secret'...you must wait for the new film or CD to hear it, but other times, yes, you can listen!)

 

IMAGINE...

HEARING them 'LIVE in Concert' in some of the world's most famous halls in Prague, in Europe, in America and Asia... and HEARING them play 'LIVE' in our own exclusive, historic, Music Garden in the center of beautiful Prague, under our big trees !

 

IMAGINE...

RELAXING in the Spring, Summer, or Fall, to Private, Exclusive Concerts in a splendid garden with huge trees, just footsteps from Prague's Wenceslas Square?

IMAGINE...

A Quiet Place to relax, and listen to some of the finest musicians in the world, playing film music you love, in a real garden, in the Prague city center, with a beverage or nice snack...and your dearest friends or family! ...or just sit in the garden & check your email on FAST, Free WiFi in NATURE... hidden in the middle of one of the most romantic and beautiful cities in the world!

IMAGINE...

ENJOYING a beautiful, romantic private music garden with gorgeous trees, and an Art Nouveau style, multi-function hall for your private parties, your wedding reception, VIP conference or promotional event, in the center of Beautiful, Historic Prague?

ELEGANT... ROMANTIC...

WONDERFUL 'LIVE MUSIC'

...NATURE

...PEACEFUL...

 
Coming and New!

"The 'Lost' 1903 Prague Cultural Center"

"The European Music Center"  + "Prague Music Centre"

  • A new International Cultural Center, being built in the center of historic Prague
  • Based on its historic, 'original design' of 105+ years ago! ...with new, expanding facilities!
  • Just Footsteps (literally, in seconds) from the historic Wenceslas Square (and 'the horse')
  • Located in a Beautiful 'Art Nouveau' building, which is now being prepared for preservation and listing as a Historic Cultural Landmark
  • Home to 107+ Years of 'LIVE MUSIC' !
  • Complete & FREE Cultural Info Services at Wenceslas Square
  • Instant Tickets +Secure Online Reservations & Global Sales 24/7/364 (accepting all major cards, debit, credit, PayPal +SmartPhone sales, i.e., Nokia, Sony, LG, BlackBerry, iPhone, etc.)
  • Events on-site, throughout the region and across Europe !
  • Great Symphony and Jazz music for over a Century !
  • A tradition in Recording Music and Soundtracks for some of the Greatest Films in the world !
  • Home to a world renowned Philharmonic Orchestra with "Oceans of Strings"
  • Live Recordings of Great Film Music = Continually Since 1947, for wonderful films, the world over
  • A new Film Music Museum and history of Czech & Slovak Film & TV productions + int'l. co-productions
  • Rebuilding of a Beautiful, Historic Music Garden Restaurant, dating from 1903
< All of which will be lovingly conserved, restored and carefully reconstructed, according to the original 'Art Nouveau' designs, of course...
EuropeanMusicCenter.com, EuropeanMusicCenter.EU, EuropeanMusicCentre.com, EuropeanMusicCentre.EU
 

International Languages

English Arabic Bulgarian Chinese (Simplified) Chinese (Traditional) Croatian Czech Danish Dutch Finnish French German Greek Hindi Italian Japanese Korean Norwegian Polish Portuguese Romanian Russian Spanish Swedish Catalan Filipino Hebrew Indonesian Latvian Lithuanian Serbian Slovak Slovenian Ukrainian Vietnamese Albanian Estonian Galician Hungarian Maltese Thai Turkish Persian

Newsflash

Landmark Application Process

14 October 2008

Proposal and Application was filed with

The Czech Ministry of Culture

in Prague

to have our Art Nouveau building and entire facility declared as a

"Mixed-Use"

Historic Cultural Landmark

in the Czech Republic

...This important 'teaming' process continues, in 2009, in cooperation with, and in continuing collegial consultation with

The Czech Ministry of Culture

and

The Czech Institute of National Monuments (Národní památkový ústav)

- and their respective,

superb, career-professional experts.

Secured by Cultural Landmark Management Ltd. CulturalLandmark.EU CulturalLandmark.com = Protection +Conservation +Preservation +Renewal +Site Sensitive Sustainable Mixed Use Solutions for Cultural Historic Landmarks